Difference between revisions of "Frankfurt evakuieren:About"

Revision as of 17:38, 22 August 2014

About “evakuieren”

Port B to attract attention in a manner that you cited a real city, landscape and memory, such as social media, to reconfigure. In this work continues borrowed the format of the sex industry in the existing "private urban Tokyo", to build the system itself that the audience encounters and community invisible city. To run it as if to symbolize the time of Tokyo, JR Yamanote Line. Set the "shelter" to the station near its all in this work. If you answer an interview connected to a dedicated website, and is guided to the shelter from the station one it is. It is where you can also visit the actual course. Among the daily life the title of this work awaiting a visit of the participants of Tsurumi already "complete suicide manual" flow of a specific time and community, places and people and not to meet quite is, from (1993) those that have been inspired. From Sewashinai "Tokyo time", how we can do "evacuation". Where am I? If Find First access my "shelter".

About Port B

Formed in Tokyo in 2002. Creative unit that is made in a different form for each project in the center Akira Takayama. You have deployed installation using the actual city, tour performance, social experimental projects, speech events, such as sightseeing tours, the wide range of activities. In seeking a way is in the underlying question "What is the theater" is also in the activities of any, extend the possibilities of the theater, to connect to the society. http://portb.net/ portb.official @Port_B

@@ Line 1: / Line 1: @@
-Artistic director: Akira Takayama
+<div class="user-name-banner"><htmlet>screenname</htmlet></div>
-September until 5 October 2014
+<h2 class="title">About “evakuieren”</h2>
-If you take the commuter train Nr. 8 from the Main Station in Mainz and to Hanau, the length of the journey is more or less exactly equivalent to the breadth of Greater Tokyo with its 35 million inhabitants – a expanse of urban sprawl considered impossible to evacuate, not least of all since the 2011 earthquake and nuclear catastrophe. Japanese director and conceptual artist Akira Takayama has therefore made it his business to search for individual rescue alternatives, conceive new types of shelter and chart hitherto unknown escape routes where the government has declared escape impossible.
+Port B to attract attention in a manner that you cited a real city, landscape and memory, such as social media, to reconfigure. In this work continues borrowed the format of the sex industry in the existing "private urban Tokyo", to build the system itself that the audience encounters and community invisible city. To run it as if to symbolize the time of Tokyo, JR Yamanote Line. Set the "shelter" to the station near its all in this work. If you answer an interview connected to a dedicated website, and is guided to the shelter from the station one it is. It is where you can also visit the actual course. Among the daily life the title of this work awaiting a visit of the participants of Tsurumi already "complete suicide manual" flow of a specific time and community, places and people and not to meet quite is, from (1993) those that have been inspired. From Sewashinai "Tokyo time", how we can do "evacuation". Where am I? If Find First access my "shelter".
-EVACUATION begins 12 September 2014 and as the first escape and rescue plan for the Rhine-Main region, it lends new meaning to the idea of evacuation. With Frankfurt’s Künstlerhaus Mousonturm as their basis, an international artistic and research team under the direction of Akira Takayama are currently developing this massive art event that seeks to connect online and urban spaces.
+<h2 class="title margined">About Port B</h2>
-EVACUATION invites visitors to let themselves be guided into making new discoveries from 12 September until 5 October over the course of three weeks at up to 30 commuter train and streetcar stations along the S1, S8, S9 lines and at the stations between Frankfurt-Ost and Hanau and one additional central point in Darmstadt. These train stations between Wiesbaden, Mainz, Frankfurt, Offenbach and Hanau are transformed into the starting points for art projects, happenings, presentations and artistic ready-mades, transformations and interventions, secret gatherings and quests. And instead of the customary theatre ticket, all that is required is a valid RMV ticket.
+Formed in Tokyo in 2002. Creative unit that is made in a different form for each project in the center Akira Takayama. You have deployed installation using the actual city, tour performance, social experimental projects, speech events, such as sightseeing tours, the wide range of activities. In seeking a way is in the underlying question "What is the theater" is also in the activities of any, extend the possibilities of the theater, to connect to the society.
+http://portb.net/
-An interactive web-portal will be launched at www.evakuieren.de on 12 September at the start of the project to assist with the necessary rescue operations: visitors will be asked to answer a few specific preliminary questions, so that the website can ascertain the individual degree of everyday frustration or urban identity fatigue. As a result of this short interview, the programme will suggest an initial starting point within the RMV network to those searching for escape, e.g. a commuter train station in the countryside, a spot in front of certain factory gates or in the middle of the city centre. The website also provides an overview of all train stations and stops involved into the project, important basic information, as well as special opening hours or possible on-site expenses that may arise. However, the website gives no more than a hunch of the events that can be encountered at the end of the respective journey.
+[[File:Facebook.png|17px|link=]]portb.official
+[[File:Twitter.png|17px|link=]]@Port_B
-Maps and sketches, individually designed by a team of Japanese graphic designers and animation artists for every evacuation route, provide concrete clues. They can be printed out or downloaded to a smartphone before departure. They beckon onto unusual paths, lead to unknown refuge spots, seduce you to unexpected encounters with the otherwise invisible and transform even the most familiar surroundings into urban riddles, even before successfully tracking down the actual goal.